Reading Matters, Vol. 15, Issue 2, September 24, 2009
Graduate matters are in the air of late, and not just for those who might be re-reading Crime and Punishment, whose protagonist should probably not be the first person to spring to mind (but did) when thinking about post-baccalaureate students.
As September wanes, the Task Force on Graduate Education, one of four such advisory groups convened by Provost Wallace Loh last spring, is beginning its review of the more than 100 graduate programs at the University of Iowa (for its charge, see here: http://provost.uiowa.edu/work/strategic-initiatives/tf-grad.htm). Claire Fox has turned in the requisite report on the English graduate programs—twice. The first report, dutifully submitted by the due date, covered what we thought were our graduate programs, which is to say the Ph.D./M.A. in literary study and the M.F.A. in Nonfiction Writing. The second, subsequently demanded on the grounds that we had made a serious omission, included those three programs plus, who would ever have expected . . . the M.F.A. in Creative Writing! Surely that’s a mistake, one thought, surely the Writers’ Workshop has long been in every way a fully autonomous entity. But no. In the eyes of officialdom, it turns out, English offers three graduate degrees: the Ph.D., M.A., and M.F.A in English, the latter covering students in both the NWP and the Writers’ Workshop. (There is no M.F.A. in Creative Writing, it seems, nor one in Nonfiction Writing, only an all-purpose M.F.A. in English). If this surprise revelation piques your curiosity, you can see the entire report on the entirety of the English graduate programs here. Many thanks to Claire, along with Robin Hemley and Samantha Chang, with help from Cherie Hansen-Rieskamp, Maggie McKnight, and Connie Brothers, for putting it all together.
A quick snapshot shows that there are 268 students currently enrolled in the English graduate programs (including 100 students in the Writers' Workshop). An entering Ph.D. class of about 18 students typically contains two Presidential Fellows and 2.5 Dean’s Fellows; 20% of our current Ph.D./M.A. population consists of under-represented minorities. Two to three Ph.D. students on average receive Seashore/Ballard Dissertation Fellowships, a number that is supplemented by our in-house Seely and Dietz Fellowships that combine a semester of teaching with a semester of research support. In addition to the dissertation-year support that is part of the Presidential and Dean’s Fellowship packages, as well as occasional other internal (e.g., Bach Fellowships) and external awards (e.g., Newcombe, Woodrow Wilson, and Mellon awards), a significant number of our Ph.D. students receive a full or partial year of teaching-free dissertation support. Although the recent market downturn might obscure it, our placement record is impressive: for the five-year period from 2003-2008, 88% of our Ph.D.s obtained initial placements in academic positions, and 49% held initial tenure-track positions. Even in last year’s tight job market, with advertised positions in English down by approximately 26%, 12 out of 17 of our prospective applicants secured academic positions. Over the past five years, our students have landed tenure-track positions at a number of leading colleges and Research I institutions, including Arizona State University, UC San Diego, Butler University, Yeshiva University, Purdue University, and Wake Forest University.
The M.F.A. in Nonfiction Writing has a typical entering class of around 12-16 students (although this year that number increased to 20) for a total of around 45-50 in the three-year program, with most students funded at least partially, through TAships, Iowa Arts Fellowships, and other sources. Recruitment into the NWP is highly successful and most students who are accepted into the program matriculate. Over the last five years, 21 NWP students have found academic appointments and 10 have found editorial or other professional jobs. Recent graduates have authored more than 22 books and have received at least eight prestigious national awards or fellowships (e.g., Fulbright, Rona Jaffe). A unique strength of the M.F.A. in Nonfiction, which sets it off from competing programs, is that its position within the English Department gives students the opportunity to ground their writing in literary and cultural study in a way that deepens and expands their work.
The report gives us a number of things to mull over. Could we, for instance, reduce the number of students admitted to the Ph.D. while better targeting those who actually enroll (For AY 2009-2010, 212 applied, 42 were admitted, and 20 accepted)? Doing so would improve our selectivity scores while also making for a more efficient recruitment effort. Are there, to take another instance, ways to speed the time to degree for Ph.D. students? At seven years, it’s better than the national median for English Ph.D. programs (at a whopping nine years), but still longer than many of us (and certainly the Graduate College) would like. Recent efforts to limit financial support to six years for those admitted with a B.A. and five years for those with an M.A. or a Presidential Fellowship combined with special funding from the Graduate College that allows us to offer a course release to students who are making timely progress towards their prospectus should help. And if we ever have extra funding again, the ability to offer post-doc teaching might also encourage swifter completion of the degree, providing an incentive to finish even in a rough job market.
Those and other questions are certainly worth thinking over as we move forward, and as we train our current crop of graduate students. In the spirit of resourcefulness for which we are known, under the guidance of Teresa Mangum, the department’s Graduate Placement committee (Miriam Gilbert, Susan Lohafer, and Dave Wittenberg) has begun its work of preparing students for the job market. One of the committee’s first initiative is a panel discussion to be held this Saturday, September 26, 1:00-2:00 in Gerber Lounge. The panel’s topic is how to apply for jobs at Liberal Arts colleges. The panelists include: Leslie Kathleen Hankins, Professor of English at Cornell College in Mt. Vernon; Gina Hausknecht, Professor of English at Coe College in Cedar Rapids; and Mary Vermillion, an alumnus of our own graduate program, Professor of English at Mount Mercy College in Cedar Rapids.
I suspect we’ll be returning to discussion of graduate matters again this semester or next, particularly once we learn what the Task Force has to report about our report. In the meantime, if you have further thoughts on these or other questions about our graduate programs, I’m sure that Claire Fox or Robin Hemley would be happy to hear them. And if you would like to share your views on graduate issues in a larger forum, the Task Force on Graduate Education is holding two open forums, on Tuesday, October 13, 4:00-5:00 in the Old Capitol Bldg and Friday, October 16, 12:30-1:30, in Shambaugh Auditorium.
Robin Hemley will be interviewed on “The Exhchange” this Thursday, Sept. 24. Click here for a link to the Iowa Public Radio homepage.
Kevin Kopelson has been invited to speak in Berlin next summer at an interdisciplinary conference on “The Art, Economy, and Politics of Virtuosity.”
Stephen Kuusisto has been awarded a residency at the Heritage Arts Retreat in the spring of 2010.
The English Department fall reception will be held at the home of Jon Wilcox and Denise Filios on Saturday, Sept. 26, 4-6 p.m.
Shakespeare Quarterly has accepted Jeff Doty’s article "Shakespeare's Richard II, 'Popularity,' and the Early Modern Public Sphere" for publication.
Sean Scanlan’s article “Going No Place? Foreground Nostalgia and Psychological Spaces in Wharton’s The House of Mirth,” has been accepted at Style. Sean has also been invited to present on his new online academic magazine NANO: New American Notes Online at the Works-in-Progress Festival at Public Space One (115 E. Washington St.) in Iowa City on October 2nd from 5-6:30.
The Finkbine Dinner Committee invites nominations of University of Iowa alumni to receive one of the prestigious Hancher-Finkbine Medallions at the 93rd Anniversary Finkbine Dinner on Tuesday, April 13, 2010. Recipients of the Hancher-Finkbine Medallions are chosen for the manner in which they exemplify the characteristics of learning, leadership, and loyalty. The Finkbine Dinner Committee selects a female recipient in odd numbered years, and a male recipient in even numbered years. In keeping with tradition, a male recipient will be chosen this year.
The Hancher-Finkbine Medallions were established in 1964 to recognize learning, leadership, and loyalty. The Medallions are named for William O. Finkbine, the founder of the Finkbine Dinner, and Virgil M. Hancher, a student guest at the first Finkbine Dinner in 1917 who went on to serve as president of The University of Iowa for 24 years. Previous alumni recipients include: C. Maxwell Stanley 1926BSAA, 1930MS, Jill McLaughlin 1953BA, Nicholas Meyer 1968BA, Irving B. Weber 1922BA, Dorothy "Dottie" K. Ray 1944BA, 1945MA, Mary Louise Smith 1935BA, John Pappajohn 1952BSC, Lilia Abron 1972PhD, Samuel L. Becker 1947BA, 1949MA and 1953PhD, Christine Grant 1969BA, 1974PhD, Pearl Cheng 1981BS, Darrell D. Wyrick 1956BSCE, 1957MA, Shirley Rich Krohn 1944BFA, Charles M. Kierscht 1960BA, 1962JD, and Yvonne L. “Bonnie” Slatton 1964 PhD.
The deadline for receipt of nominations is Tuesday, November 10, 2009. A description of the criteria, a nomination form and a complete list of previous recipients is available here. Click on 2010 Alumni Nomination Form.
Ida Cordelia Beam Distinguished Visiting Professor
TRACY C. DAVIS
Two Public Talks on Performance Studies/American Studies:
“Acting Black, 1824”
Wednesday 14 October at 5:00 in Gerber Lounge, 304 EPB, Reception following
Charles Matthews, a white English music hall performer, toured the United States and developed popular impersonations of African Americans apparently without the use of black make-up. The evidence raises penetrating questions about the encoding and perceptibility of race, its bi-national legibility, and the prototypes for blackface minstrelsy.
“The Witness Protection Program: Making Theatre, Every Day”
Thursday 15 October at 5:30 in 107 EPB
In the federal Witness Protection Program developed during the Cold War, protected witnesses succeed as performers only when their performances are undetectable. This is the ultimate covert scenario: spectators do not know that they are witness to anything in particular. The “society of the spectacle” is inverted to demonstrate the degree to which we rely upon urban and suburban society being unremarkable, unspectacular, and bland.
TRACY C. DAVIS is Barber Professor of Performing Arts, Professor of Theatre and English, and Director of the Interdisciplinary PhD Program in Theatre and Drama at Northwestern University, as well as the current President of the American Society for Theatre Research. Her most recent books include Stages of Emergency: Cold War Nuclear Civil Defense (2007), Considering Calamity: Methods for Performance Research (2007), The Performing Society: Nineteenth-Century Theatre’s History (2008), The Cambridge Companion to Performance Studies (2008), Theatricality (2003), and The Economics of the British Stage, 1800-1914 (2000), winner of the George Freedley Memorial Award from the Theatre Library Association.
Professor Davis’s visit is co-sponsored by the Departments of American Studies, English, History, and Theatre Arts; the Center for Ethnic Studies and the Arts; and the Eighteenth and Nineteenth Century Interdisciplinary Colloquium.
The English Department is now on Facebook! Go to http://www.facebook.com/IowaEnglish to become a "fan" of the Department.
The calendar is now housed on its own page, and both the calendar and Reading Matters are now available via links from the main English Department webpage, making them easier to access. You can find a full listing of upcoming events at the English Department Calendar.
UI Master Calendar | UI Academic Calendar | NonFiction Writing Program Calendar | The Writers Workshop Calendar | The International Writing Program Calendar
The English Honors Program Calendar
The next issue of Reading Matters will be on Thursday, October 15. Please send submissions for the next issue by 5 p.m. on Wednesday, October 14 to erin-hackathorn@uiowa.edu.