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Our twenty-first century ideas about politics, love, war, and heroism have an incredibly long history, heavily derived from European literature and culture dating back over a thousand years. In this course, we will read texts by Shakespeare, Chaucer, and Dante, and lesser-known but influential writers like Margery Kempe, Sir Thomas Malory, and John Bunyan. In the poetry, fiction, and drama of medieval and renaissance Europe, we will encounter an era that resurfaces today in a wide range of cultural forms—from J.R.R. Tolkien’s fantasy literature to the chivalric code celebrated in mainstream romantic comedy.
Texts that have been used in recent years for this course. (This is a comprehensive list. During any particular semester, only a few of these texts or similar ones will be used for a specific section of 8G:3)
Drama:
- Any of Shakespeare's plays but we particularly suggest Taming of the Shrew, Midsummer Night's
Dream, Merchant of Venice, Henry V, Winter's Tale, Tempest, Twelfth Night -- all available from NAL.- But we also recommend that since students get so much Shakespeare in high school and in other 8G
courses that you balance him with other Renaissance plays, eg.,
- Kyd's Spanish Tragedy (St. Martin's Pr.),
- Marlowe's Tamburlaine the Great, parts I & II (Univ. of Nebraska Pr.),
- Marlowe's Jew of Malta (Norton),
- Marlowe's Doctor Faustus (NAL),
- Heywood's Woman Killed with Kindness (Norton),
- Jonson's Volpone
(Harlan Davidson),- Jonson's Alchemist (Norton),
- Jonson's Bartholomew Fair (Norton),
- Jonson's Epicoene, or The Silent Woman (Norton),
- Chapman's Bussy D'Ambois (St. Martin's Pr.),
- Webster's White Devil (Norton),
- Webster's Duchess of Malfi (Norton),
- Beaumont's Knight of the Burning Pestle (Norton),
- Cary's The Tragedy of Mariam (Univ. of California Pr.),
- Arden of Faversham, ed. White (Norton),
- Middleton's A Chaste Maid in Cheapside, ed. Brissenden (Norton).
Anthologies:
- Medieval English Literature, ed. Trapp (Oxford Univ. Pr.).
A somewhat skimpy anthology, with good illustrations and notes. Includes Beowulf and other Old English
poems, Sir Gawain and the Green Knight (all in translation), five Canterbury Tales (in Middle English),
two plays: Second Shepherds' Play and Everyman and some lyrics.- Literature of Renaissance England, ed. Hollander and Kermode (Oxford Univ. Pr.).
A superb anthology which contains generous excerpts from Faerie Queene and Paradise Lost, with linking commentary; also many lyrics and some prose selections and the plays Doctor Faustus, Tempest, and Samson Agonistes.- Paradise of Women: Writings by Englishwomen of the Renaissance, ed. Travitsky (Columbia Univ. Pr.).
A great anthology with short but provocative (and diverse) selections representing a number of genres,
styles, topics and experiences of woman writers.- Medieval Women's Visionary Literature, ed. Petroff (Oxford Univ. Pr.).
A great edition with lots of excellent historical and cultural context. The title is misleading: Petroff includes
Christine de Pizan, Margery Kempe, Hadewijch and others -- consequently, this collection spans a number of traditionally construed genres such as lyric, prose narrative, etc.- Romance of Arthur, 3 vols. [choose one], ed. Wilhelm (Garland Publishing).
Covering different historical periods, etc. This seems useful and may work well for someone who wants
to devote some time to a comparative Arthurian section.- Medieval Women Writers, ed. Wilson (Univ. of Georgia Pr.).
- Women Writers of the Renaissance and Reformation, ed. Wilson (Univ. of Georgia Pr.).
- Visions of Heaven and Hell Before Dante, ed. Gardiner (Italica Pr.).
- Portable Medieval Reader, ed. Ross and McLaughlin (Penguin).
- Norton Anthology of English Literature, ed. Abrams, et. al. (Norton).