Selected Publications

Books:

A Marginal Mainstream: Indian Cinema and Film Studies [in progress]

Cinema, Law, and the State In Asia, co-edited with Mark Sidel. New York: Palgrave,
2007. [in press]

Arthur Conan Doyle, The Adventures of Sherlock Holmes, editor. New York: W.
W. Norton, forthcoming. [Norton Critical Edition]

Cattle Queens and Lonesome Cowboys: Gender and Sexuality in the Western. Durham:
Duke University Press, forthcoming.

Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture, co-edited with Alexander Doty. Durham: Duke University Press, 1995, (in 2nd printing)

Essays (selected):

“The Measure of a Man: Gary Cooper in the 1930s,” in Star Decades: The 1930s, eds.
Adrienne McLean and Murray Pomerance. New Brunswisk: Rutgers University Press, forthcoming.

“The Historical Film,” in The Indian Cinema Book, eds Leila Jordan and Kaushik
Bhaumik. London: British Film Institute, forthcoming.

“The Underground Negro,” in Comix with an X, eds. Charles Hatfield, Rusty Witek, and
Gene Kannenberg. Amherst: University of Massachusetts Press, fortcoming.

“Sound in the Musical Film,” in The Continuum Companion to Sound in Film and the
Visual Media, ed. Graeme Harper. London: Continuum, forthcoming.

“Pyaasa,” in 24 Frames: The Cinema of India, ed. Lalitha Gopalan. London: Wallflower
Press, forthcoming.

“Introduction” and “Bombay Bhai: The Gangster in and Behind Hindi Cinema,” in
Cinema, Law, and the State in Asia, ed. Corey K. Creekmur and Mark Sidel.
New York: Palgrave, 2007.

“Remembering, Repeating, and Working Through Devdas,” in Classics on Celluloid:
Bollywood Recasting the Tradition, ed. Heidi Paulwels. New York: Oxford
University Press, forthcoming.

“Contemporary Indian Cinema: Popular Culture in a Global Frame,” (with Jyotika Virdi)
in Contemporary Asian Cinemas, ed. Anne Ciecko. Oxford, UK: Berg, 2006.

“Popular Hindi Cinema and the Film Song,” in Traditions in World Cinema, ed. Linda
Badley and R. Barton Palmer. Edinburgh: Edinburgh University Press, 2005: 193-202.

“Bombay Boys: Dissolving the Male Child in Popular Hindi Cinema,” in Where the Boys
Are: Cinemas of Masculinity and Youth, ed. Murray Pomerance and Frances
Gateward. Detroit: Wayne State University Press, 2005: 350-376.

“An Interview with Andrew Ross,” Iowa Journal of Cultural Studies 1 (Spring 2002): 6-
13.

“Foreward” to Richard deCordova, Picture Personalities: The Emergence of the Star
System in America. Urbana: University of Illinois Press, 2001, vii-viii.

“Buffalo Bill (Himself): History and Memory in the Western Biopic,” in Westerns: Films Through History, ed. Janet Walker. New York: Routledge / American Film
Institute, 2001: 131-147.

“Picturizing American Cinema: Hindi Film Songs and the Last Days of Genre” in
Soundtrack Available: Essays on Film and Popular Music, ed. Pamela Robertson- Wojick and Arthur Knight. Durham, NC: Duke University Press, 2001: 375-406.

“Telling White Lies: Oscar Micheaux and Charles W. Chesnutt” and [co-authored] “An Oscar Micheaux Filmography: From the Silents through His Transition to Sound,
1919-1931” in Oscar Micheaux & His Circle: African-American Filmmaking and Race Cinema of the Silent Era, ed. Pearl Bowser, Jane Gaines, and Charles Musser. Bloomington: Indiana University Press, 2001: 147-158; 228-277.

“On the Run and On the Road: Fame and the Outlaw Couple in American Cinema,” in
The Road Movie Book, ed. Steven Cohan and Ina Rae Hark. New York: Routledge, 1997: 90-109.

“Lost Objects: Photography, Fiction, and Mourning,” in Photo-Textualities: Reading Photographs and Literature, ed. Marsha Bryant. Newark, DE: University of Delaware Press, 1996: 73-82.

“The Space of Recording: The Production of Popular Music as Spectacle,” Wide Angle 10:2 (Spring 1988): 32-40.

“The Cinematic Photograph and the Possibility of Mourning,” Wide Angle 9:1 (Winter 1986): 41-49.

 

 

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